Description
The final volume of Thiele’s organ compositions contains two further early romantic “heavyweights” which also demonstrate that his work was based on the Bach tradition on the one hand, but on the other hand, in terms of sound, improvisation and formal aspects, he was also able to establish modernisms close to the style of Franz Liszt. Both works represent highly welcome additions to the German concert repertoire “before” Mendelssohn and Ritter.
Contents: Concerto movement in E-flat minor – Theme with variations in C major.
